Last time we talked about getting away from the male/female binary in voiceover. But the conversation didn’t end there. The blog generated some great comment and discussion which I’d like to address and expand on here. I’d like to start with one of my favourite comments which came from voice actor Mike Tobin. “…many clients…
Male or Female Voice: Does it Even Matter Anymore?
Does this sound familiar? We need a voiceover. Should it be a male or female voice? Female. OK. Next item. There are a couple of problems here. First of all, the voiceover is not an afterthought. It is the emotional core of your project, and it sets the tone for everything else. Quite often visuals…
Podcast Music: Getting it Right the First Time
If you’re starting a podcast, or even if you’re a veteran podcaster, selecting or creating theme music can be a pretty daunting task. The simplest option is to source stock tracks. Back in the day, stock music was trash. It was elevator music. You were embarrassed to use it. Today there’s more music being made…
The Lesson of COVID: Crisis-Proof Your Brand
I’ve touched on this subject before, but I think it’s worth exploring in its own dedicated blog. When COVID-19 first hit North America in early 2020, most professionals were scrambling to adapt to a changed world. Being in the audio branding industry, it was very interesting to see these changes from a multi-sensory branding perspective….
Why You May Not Be Ready for an Audio Brand
Not every brand is ready to pursue an audio branding strategy. I’ve had many preliminary discussions that didn’t lead to action. And I hope that doesn’t sound bitter, because it’s not. Sometimes we may have the discussion and find it’s just not a good fit or it’s not the right time, and that’s perfectly fine….
Sing or No Sing: Audio Brand Power Moves
There are exceptions to every rule. I’ve always felt very strongly about having a brand’s name as part of its audio mnemonic. This often takes the form of a jingle, but not always. Sometimes the spoken name worked into a strong melody can be just as effective. It’s often a better fit as well depending…
The Audio Audit: Netflix 2/5
Whenever I host a presentation or webinar about audio branding, I usually play a brief game with the audience. I’ll play an established audio logo, and invite them to tell me who or what it represents. They always recognize McDonald’s, HBO, and Intel. I stopped using Netflix because people rarely got it. This is not…
The Audio Audit: CBS 4/5
Last month CBS launched a whole new rebrand. It’s a visual rebrand with a new audio logo that sets the tone for the animation. These kinds of rebrands are not uncommon, especially for a brand as old as CBS, but in this case, it sounds like they’re doing it for the right reasons. “I wanted…
Why So Many Radio Ads Fail – Part 2
Last time we highlighted some of the differences between active and passive media consumption. Another distinction that needs to be made for audio-only advertising is emotional versus logical persuasion. There’s certainly a lot of value to persuading with facts, figures, and data, but numbers don’t always convey well in audio ads. To a passive listener,…
Netflix Cinematic Logo: Upgrade or Band-Aid?
Netflix recently expanded on its audio logo for cinematic presentation. You’ve heard the original many times before. It’s that signature percussive tone that precedes all their original content. And for this job, they brought in the big guns. They recruited film score veteran Hans Zimmer to bring some buildup and weight to their existing sonic…